The instrumental versions of Offenbach's "Barcarolle" are excellent, but they will not make a listener weep, as the vocal performance most certainly can. This is a dramatic piece and must be sung for its full effect to materialise. And this effect is extremely powerful, and accounts for the song’s extraordinary popularity. Why? Because it is a light song about nothing much, love and its madness, night and its charms, that is nevertheless freighted with some profound sadness. It finds a modest variety of tragedy in something quite commonplace. The song is harmless, and yet heavy with the faint implication of grief, on the one hand, and of menace on the other, both at little better than homeopathic levels, and all the more effective for this understatement, for it seems, as A. C. Bradley acutely remarked of poetry in general, because it seems in speaking of one thing to make just visible the secret of all.

And it achieves this generality, a specious generality as all poetic beauty is, because it draws on its dramatic setting to body forth two female approaches to male suitors and companions. One, delivered by the mezzo soprano, is characterised by a generous empathy, and offers the unsatisfactory Hoffman inspiration, for if they choose women can motivate even the most wretched and inferior man and make him do wonders. The other approach, performed by the soprano, is that of a narcissistic and extractive personality who is interested only in taking Hoffman’s reflection as a token of her power, and will not even trouble herself to keep it, passing it on to a malign force for disposal. The act of acquisition is all, and even possession is little or nothing.

When it is well performed one can hear this distinction even without knowing the story, as in this superb rendering by Anna Netrebko and Elīna Garanča.

Yet these two quite different personalities sing identical words, words that are as anodyne as they are charming, but they sing these words as if with entirely different meanings, and, miraculously, the music, which is just slightly too slow for either joy or comfort, serves both equally well. The word tension is used carelessly and too often in criticism, but it seems to me justified in this case. There is a tension between the characters, between their versions of the lyric, and between the protean support that the music offers to each delivery. It is a strange and moving experience.

The soprano, Giulietta, sings with a faint hint of menace and confident of victory, while Nicklausse, a woman disguised in man’s clothing so that she can watch over Hoffmann without him being conscious of the fact, is clearly aware that, in spite of her affectionate care, Giulietta will succeed. They both know what will happen, and they know this because they know men better than men know themselves. But in all this Hoffman is an incidental matter only; the tragic conflict is between one woman and another, and it is this which gives the song its emotional volume; it is the tragedy of the tender mezzo- voice beaten from the field by the stronger yet pitiless magic of the pure soprano.

Tragedy and Comedy are terms that divide the whole field of human culture. On the one hand there are productions that draw attention to the divergence of individual interests, and thus to individual failure, and on the other those forms that stimulate a shared bark of common triumph, which implicitly emphasises the convergence of interests and obscures those disasters that actually befall each and every one of us. It is hardly surprising that of these forms the latter is preferred, the reality of the vision it projects being so uncommon.

Nina Conti  is a ventriloquist, best known for her performances with a small glove puppet, “Monkey”. YouTube offers many recordings, of which this BBC recording is an excellent example, and her own channel offers a wealth of material. The film, “Her Master's Voice”, largely a reflection on her teacher Ken Campbell, is available on Prime Video and is worth the price.

All of this material, without exception, is apparently slight, yet is also compelling, intellectually intriguing and emotionally exhausting. This is hard to explain. Ventriloquism is a narrowly limited art, a fact to which Conti repeatedly alludes, and she is not even at the technical peak of this skill, as comparison with several of the other ventriloquists interviewed in “Her Master’s Voice” plainly shows. Of this, Conti is aware, referring to herself as an “amateur”, an exaggeration we can dismiss with the fairer judgment that while a professional of a high order, she is far from the slickest exponent of the voice trick. Yet she is manifestly and undoubtedly vastly superior in some other sense. Conti may be only a very good ventriloquist, but she has a dramatic genius. We can see this not only in the invention and delivery of the dialogue, which is, deft, authentic and convincingly suggests two personalities, but also, and conclusively, in the culmination of her stage act, which is not even ventriloquism, but the assumption of a voice in the pretence that Monkey has taken control of her body. In this final scene, she simply goes ape, as anyone could, you or I included, and yet in the context of the whole ventriloqual sequence, which sets the stage for this moment and so finds its ultimate justification, it is a theatrical tour de force. How can this be, and what is going on in the observer to make this so surprisingly and peculiarly effective?

That there is philosophy behind all this, is quite true. Conti rather charmingly claims to have forgotten all she learned at university, UEA as it happens, and to have found Kant too hard, but for travel reading when at a ventriloquism conference in Kentucky she takes Bernard Williams’ Problems of the Self. She is an intellectual. But the prime mover in Conti's act, the gradient that provides all of its energy, is not abstract or conceptual, but her personal, emotional, and physical fragility. Whether this is grounded in reality or just cunningly projected, I do not presume to say, and note only that this touching weakness is bait, largely for the male viewer, and a good bait too. She is as a result powerfully attractive, much more so than is otherwise explicable by her interesting face, flowing hair and healthy figure. She stimulates in men a protective desire like no other female performer of any kind I can think of, and this is once again something of which she is very well aware, Monkey in one conversation mocking the fact that the demographic of her fan mail is made up largely of later middle-aged males (this short essay is another instance).

One might take up the old Avengers joke and say that she has an overwhelming “M-Appeal” which in this case would be Monkey-Appeal. For the Monkey puppet is the surrogate offered to the entranced audience of suitors, driven on by the, of course deluded, belief that they and no other can provide the tender and redemptive intimacy that will both protect her and banish the mysterious sadness of her solitude, a honey-trap conventional in literature and in life. But this is a rare example of a fictional romantic, or fantastic sexual coupling where the observer does not resent the depicted male actor, whose character men detest in fiction and whose face they loathe to see in pictorial erotica. Instead, that observer projects himself fully into the personality of the imagined male sexual partner, in this case a monkey doll. Paradoxically, this assertive male avatar is not only small and impotent, Monkey would doubtless describe himself as “dickless”, but humiliatingly fisted by his female operator, an indignity which he explicitly experiences as both pleasure and pain. However, the subordination is temporary and after a prolonged struggle, stretching through the gig and indeed over the gigs of many years, Monkey insistently exercises his will via abuse and wit, with the female ultimately overcome in a psychological copulation during which the monkey’s personality penetrates the woman to her furthest extremities. Monkey’s voice leaves the puppet, migrating at first to and speaking from Conti’s bare hand – “Don’t you like me naked?” he asks – and then briefly alongside her consciousness before taking full possession of mouth, face, voice, hands, arms and legs.

In this remarkable money shot Conti adopts a simian crouch, her fingers grasping lasciviously at the air as the monkey exercises his new muscular powers. He is alive. The eyes focus on the world with a fierce desire not at all hers, and Conti’s beauty is horribly inflected, the coarse, masculine voice incongruous with the elegant legs and breasts wrapped in a pretty dress, all points over which the monkey gloats in a triumph reminiscent of Mr Punch at his most brutal and conceited. After this simultaneous theatrical climax of impersonation both are utterly spent, there is nothing more for either to say, to each other or to anyone, and they can only leave the stage in silence. But the spirit of Monkey is irrepressible.

Dustily-mustily

Careful historians

Sift through the debris of

Ages long past,

 

But never forget that the

Decompositional

Forces of entropy

Triumph at last.

XXII IV MMXXII

All the numbers we know,
     From digits to dates,
Do nothing but show
All the numbers we know
From the high to the low: –
     No wonder man hates
All the numbers we know,
     From digits to dates.

An earlier version of this article appeared elsewhere on the internet under the pseudonym P. Onocrotalus.

Climate change and coronavirus policies, particularly lockdown policies, have diametrically opposite approaches to valuing life in the present and the future, yet they are both enthusiastically endorsed by state bureaucracies around the world, not least in the United Kingdom. Have they something in common in spite of their apparent differences?

Vaccines to protect against Covid-19 did not excuse the Prime Minister from his perceived obligation to put the population under what was little better than house arrest when faced with variant of the virus, and while public reluctance combined with the mildness of the omicron variant seem to have prevented another national lockdown, at least for the time being, it now seems inevitable that the British government, acting as a Committee of Public Safety, will immediately resort to policies restricting movement and meeting in the case of future variants and other pandemics. Lockdowns are now an accepted tool of public health policy.

Many of us are struggling to understand how this extraordinarily oppressive state of affairs has come about, and so quickly, and with hardly any substantial resistance. Comparison with another risk management policy, climate change mitigation, sheds a disconcerting light on the matter. Superficially different in character, these two contrasted policies share a common answer to the ever-relevant question, Cui bono.  But let us start with the differences.

Climate change policy applies little or no discount to the interests of the infinite future, and so as a consequence gives the interests of the present only the slightest weight in the balance. – Those currently alive are asked to make sacrifices, and in practice unlimited sacrifices, to save infinitely distant future generations.

Lockdown policy applies a zero discount to a small selection of present interests and thus attempts to prevent death, with only scant regard for the long-term societal damage incurred. – The interests of the future are heavily discounted and thus sacrificed to preserve a subsection of the present whose interests are ostensibly given overwhelming privilege.

Neither of these policies is consistent with the way that human beings in actual behavioural fact value their own lives and the lives of others in the present and in the future. This is puzzling since it is not particularly difficult to determine what human beings are maximising through their very varied behaviour.

Banal though it may seem, we have no evidence that humans are anything more than straightforward reproductive organisms that value their own lives insofar as they gather resources and secure their reproduction. They do not maximise their individual longevity or their individual hedonic experience, both of which are proxies and not ultimate ends. The only final goal that we can infer is ultimate reproduction, bearing in mind that this is achieved through the extended family as well as immediate offspring. This behavioural purpose is so far from transcendent that it will seem to many hardly worthy of the name, but observation has so far indicated no other human goal.

Of course, real world human behaviour is characterised by balanced self-sacrifice in the interests of offspring. However, climate and lockdown policies require unbalanced sacrifices of a kind that men and women do not offer spontaneously. The policies run against the psychological grain.

Consider the details. A coronavirus lockdown is intended to save human life. But the virus does not, apparently, threaten the young, only the very old who are post-reproductive and, in most cases, contributing little or perhaps nothing to the wellbeing of their nevertheless much-loved children and grandchildren.

The sacrifice is predominantly required of the young and the active who are still gathering resources to produce and rear families. But lockdowns do indeed harm the life’s work of the old by putting their continued personal existence before the interests of their offspring and extended families, a preference that the old themselves would never express or realise in action.

Thus, coronavirus lockdown policy frustrates the bedrock of altruism underlying the family, and also burdens the old, against their will, with a terrible responsibility.

Climate policy, however, tends in the opposite different direction. The interests of the infinite future are put before those of everyone or nearly everyone at present living. Great sacrifices must be made in the short run to reduce emissions and protect populations as yet unborn. This is, once again, a decision that actual men and women would never make spontaneously, for if the interests of the present are not sufficiently well served there can be no future generations. Climate preachers urge their congregations to “think of the kids” and not themselves, but the advice is both absurd and redundant. Parents care for their families but must first care for themselves. The pelican certainly tears its breast to feed its young, but it does not start by cutting its own throat.

The rhetoric of climate policy describes present generations as selfish hedonic maximisers that must be compelled to relegate their own experiential hunger in order to protect the interests of future generations. But, as we have seen, this is both false and needless; the living are already engaged in a balancing of interests to produce and secure the existence of future individuals, far into the future, and they need no pressure from climate policy to think in this selfless way. Indeed, extreme climate policy, and at present we have no other for Net Zero comes in one flavour, is harmful to the interests of future generations as well as those alive at the present time because it frustrates precisely those current interests that must be satisfied if there is to be any prospect of a future generation of human beings.

Both lockdown and climate policies, therefore, suffer from an ostensibly uncompromising and absolutist morality which demands that equal value is put on all human lives regardless of their position in the reproductive trajectory. As a matter of real-world fact, this runs counter to the interests of all parties involved, and, unsurprisingly, is not how men and women behave in practice. Parents must satisfy enough of their own requirements to reproduce and care for their families, but they will not absolutely sacrifice the interests of their descendants in order to preserve their own lives. The pelican, we have noted, will not cut its own throat, yet, mythically speaking, it most certainly does tear its own breast, curtailing its hedonic satisfactions and shortening its life in order to rear its young.

Nonetheless, and contrary to observation, lockdown policy must presume that mature human beings would wish to preserve their individual lives at the cost of sacrificing the future of their offspring, which in fact they do not and would never do.

Climate policy, on the other hand, claims that the living will not willingly sacrifice themselves for a future generation. However, as a matter of routine fact that is what people do, though in a necessarily pragmatic way that is incompatible with the extreme and self-harming action required by the currently predominant low-carbon policies.

Climate mitigation and lockdown policies are not only inconsistent with human wishes and actual behaviour, but they are clearly inconsistent with one another, lockdown policy insisting on the absolute value of some present lives, and climate policy insisting on the absolute value of all future lives. In addition, climate policy suffers from an internal flaw: it threatens future lives by leaving the present unable to raise a viable generation with a secure societal future.

These policies are obviously errors, but are they pure errors, random walks in possibility space that have strayed quite accidentally from the path of practicality? One has to allow that this might be true; delusions and mistakes do occur even in minds of the finest quality, and it is possible that both these faulty policies arise from a very widely distributed popular misconception or from an honest administrative error.

But a general delusion does not seem likely. Humans are extremely good at perceiving and acting on their own interest, and they rarely go down the wrong path for long. To err is certainly human; but so is learning from error. A population-wide mistake that endures for long periods has never been observed. Some peoples have been said to try every other available course before doing the right thing, but the joke has its laugh because they do eventually find their way back to the path. Populations may indeed be destroyed by the weight of circumstances, but not by their errors; they do the best they can in the most miserable and constrained of conditions. One thinks of the desperate jeopardy of the Melians.

Pure errors, then, are quickly corrected, but climate policy, at least, has been with us in its present form for some twenty years, and in spite of manifest failures and vast costs appears to be insusceptible to criticism, even when extremely well aimed. It is therefore unlikely to be a pure error. Some other force accounts for its survival. We cannot be certain if this is also true of lockdown policies, since these are not even two years old, but they are already showing signs of extreme resilience in the face of informed opposition and public resistance. Lockdown may not be a pure populational error either. Perhaps this very ill wind blows good to someone.

If these policies are not pseudoxia epidemica, perhaps they are administrative errors, arising from a deeply rooted governmental misconception? That is not unlikely; civil servants are people and people make mistakes; but unlike people outside the chalk circle of the state apparatus, civil servants are very slow to learn from their mistakes because they are insulated from the consequences of failure. But if this were the case for climate and lockdown policies one might expect them both to possess or to flow from similar logical structures, a departmental or cross-departmental “view” on societal emergencies for example. But as been shown above this does not appear to be true. Indeed, these policies approach discounting in diametrically opposed and contradictory ways, one privileging the present and the other privileging the future. They possess different foundations.

It would appear, then, that these policies are not based on pure errors. In which case they must be impure, and instead serve some more or less concealed interest. But whose interest? The ultimate beneficiaries are hardly likely to raise their hands when asked, and they may not even be aware of their involvement. As a little candid introspection will begin to dimly perceive, we all hold some of our vested self-interest in blind and frequently offshore trusts.

But the situation is not hopeless. We can confidently identify the way harm is distributed, and in doing so we will arrive at a common feature in the policies that points us in the direction of those who probably benefit.

Both lockdown and climate policies are to the disadvantage of people who are vigorous, active and present. In the case of lockdown policies, they directly harm anyone not old. Furthermore, they even harm the interests of the old indirectly by compromising the future wellbeing of their offspring and extended families. Climate policies harm anyone alive, with benefits being imagined for the abstract, absent, unborn.

In other words, both policies appear to harm the majority of the present population, while pretending to act on behalf of a weak and voiceless population, the very old and the as yet unborn.

Thus, at a gross level these policies appear to be almost universally harmful. But a moment’s reflection will show that the net effect is different. Both sets of policies frustrate the free wishes of a population that seeks to secure their own reproduction through balanced self-sacrifice, and the frustration of such firmly held wishes requires coercive regulation and enforcement, activities that can only be delivered with the sanction of state violence and through the offices of secure and securely remunerated positions within the state, the para-state, and the very many associated clients of both. The ultimate net beneficiaries of lockdown policies and climate policies are state employees and state contractors.

We can conclude, therefore, that policies with contradictory approaches to present and future can occur simultaneously in governmental policy because their ultimate end, the reason that they are preferred over other policies, is to provide plausible justification for coercive intrusion into the lives of the vigorous population. The policies efficiently disarm criticism by claiming to act on behalf of parties that are practically unable to disown and reject the “help” offered to them, the old because they are infirm, and the unborn because they are absent. Because these parties lie at opposite ends of the life-cycle, and consequently in the process of justification those responsible for state policy have been compelled to adopt two incompatible discounting models in their rhetoric. The dog being beaten is the same, but different sticks must be held in different ways.

But it is the hand wielding those sticks that interests us. The historical record provides ample evidence, quite apart from our own recent experience, to suggest that the administrative opportunities of large societies will create a clerisy with strong personal and prejudicial interests that are in deep and considerable conflict with the wishes of the population they claim to serve. This divergence is on occasion betrayed by the character of the altruism called for by policies, such as the public health measures addressing the coronavirus or the emissions reduction strategy employed to mitigate climate change.

This suggests a political litmus test. If any public interest policy is inconsistent with the balanced self-sacrifice of parents, then it is almost certainly exploiting the population in order to serve the administration and its clients. History suggests that this will not be a stable situation. All normative discounting models, such as those employed explicitly by Lord Stern in his notorious climate review, and implicitly in the lockdown policies employed over the last two years, should be firmly rejected as politically dangerous. Naturalistic models derived from the observed behaviour of the population are to be preferred on all occasions.

And better still, let us dispense with discounting models altogether except as academic descriptive and predictive tools. A free society can confidently rely on the spontaneous judgment of men and women to correctly value the future and the present, themselves and each other, as their intuitions direct them in the expression of familial love and friendship. The outcome will be qualified self-sacrifice and a prosperous society with as long a future as fate permits.

The net value of an individual to another individual, you for example, is a complicated matter comprising the value as a co-operator and the degree of threat that the other person presents to you as a competitor. In a random street interaction today in most countries the mutually perceived value as co-operators is low, and the degree of threat is high. Just how low and how high varies from place to place, but the structure is now universal.

But, if it transpires that there is an increasing likelihood of further interaction, the perceived value as a co-operator rises, and the threat subsides from an acute to a diffused chronic state.

Subtracting the threat from the potential benefit as co-operator gives the perceived net value of that individual. I suggest, and this is an observation, that the net value of one randomly selected individual in the UK population to another similarly selected is probably zero or less.

However, from one component aspect, that of sexual interaction, the calculation may produce different results. The value to a male of a randomly selected female is much higher than that of a randomly selected male since all fertile females are potential reproductive opportunities. The value of a randomly selected male to a female is presumably lower, but still somewhat higher as a sexual partner than considered on another axis of value. – For example, the randomly selected male may offer additional genetic value over that currently available from the present mate. Furthermore, the female perspective may enhance the realisable value of unknown and genetically undesirable males because of the potential of manipulating them with the offer, never to be fulfilled, of successful reproduction, thus obtaining support or resources.

In the light of these two points, it is worth asking whether large societies are held together by sex or the potential of sex. We might thus hypothesise that: It is the value of random strangers of the opposite sex as potential reproductive partners renders the male and female halves of the population tolerant of one another and constitutes the principal perceived value in the population at large. As for the rest, "All Men are Enemies" and "Women Beware Women", but pacific core prevents wider deflagration.

This view would explain why modern cultural representations are even more heavily tilted towards the subject of sexual access than the representations common in previous periods, and this is to say a great deal since pictorial, sculptural, literary and oral cultural materials in all societies and over all periods are dominated by the subject of sexual access. – In the modern period all other subjects are pushed to the extreme margin. We are quite obsessed with sex because it alone holds us together.

The view outlined here may also go some way to explaining why sexual freedom has become a leftist, socialist or collectivist policy, leaving pro-family politicians to seem anti-social and rightist, when as a matter of demonstrable fact the disadvantaged male championed by the left has the most to lose from the erosion of moral and institutional restraints on sexual behaviour since he is unable to compete.

Superficial logic might lead one to expect that sexual freedom would be a rightist, individualist policy, but it plainly hasn’t. If, on the other hand, sex is almost the only factor pacifying large societies, and creating a degree of mutual tolerance that mitigates general competition, then it will obviously be adopted by the left.

This view may also have some bearing on the extraordinary and historically unprecedented power of women in large societies, and may even tell us something about what seems to be an elevated level of male homosexuality in large populations as compared to smaller ones.

In conversation on the 23 February 1997, in Kyoto, I observed that cultural forms such as singing and dancing were likely to become widely employed because they registered the health of the creators or performers, particularly the latter. To perform a pre-set dance or to sing requires a healthy nervous system and general health. It is, after all, quite easy to tell from a person’s speech when they are mentally disturbed or retarded, and the movements of such people are also a strong indication.

The friends to whom I was speaking replied that this was all very well, but the rhythm was not much present in Japanese literature, and dancing was itself rather rare, particularly of the kind I mentioned, male and female partners moving together. Feebly I observed that enka, the Japanese blues, seemed quite rhythmic to me, and Yukio then said that of course it was, because it was based on folk-song, and much Japanese folk song, particularly that from Okinawa, was very heavily rhythmical.

How interesting it would be, I remarked, to know if the Okinawans had allowed women a considerable degree of sexual freedom, in choosing mates and lovers. Yukio said that of course this was quite true, indeed that there were festivals in which males would sing or perform in the fields and women would choose a suitable partner with whom to step aside.

This led me to the hypothesis that both singing and dancing will probably be strongly associated with periods when women are relatively free to choose mates. Moreover, singing and dancing will be rhythmical in relation to the degree of that freedom, precisely because the more freedom women can exercise the more important it is that young men can demonstrate health, and rhythmic forms are well formed for this registration. It is possible that other aspects of the forms will also vary for this reason. I predict therefore that cultural material of higher status will tend to move away from forms that register health, since high status power groups tend to be male dominated and thus also tend to restrict female choice.

 

John William Waterhouse, "A Tale from the Decameron", 1916.

That is to say: freedom of female choice leads to cultural forms which register the health and mate value of the creator or performer. Restrictions on female freedom will thus be associated with cultural forms which do not register these matters. Puritan England, for example, was male dominated, and there was little or no public singing, dancing, or music-making. The same might be noted of Islam. Church music in England is also notoriously monotonous during the 17th century.

The link between rock music and sexual freedom is so obvious that it hardly needs comment, and the present thesis offers some degree of explanation; it offers, indeed, a sidelight on the otherwise puzzling fact that the lyrics of sexually unrestricted rock music should be so formally conservative. No vers libre for the libertines.

We can further wonder whether there other differences in cultural form arise and stabilise when competition between females is high relative to competition between males. Women will always and to some degree be in the position of competing, and the affect on cultural forms would be worth investigation.

Finally, for now, we can explain why men of high status and wealth are such reluctant singers and dancers. Such men already possess high apparent mate value; they have no reason to abandon their hard-won high-ground, and risk all by accepting or provoking a challenge on a fresh and level turf where they may find themselves at a disadvantage.